SWA Complete Wavelab Pro 9 – Comprehensive Wavelab Tutorial
By David Baer, Jan. I reviewed Wavelab and Elements, in our Jan. At that time Wavelab was at version 8. So why would you need more?
By David Baer, Jan. I reviewed Wavelab and Elements, in our Jan. At that time Wavelab was at version 8. So why would you need more? The answer is that audio editing software has a slightly different focus than a DAW.
There is certainly some overlap in DAWs and audio editors, but an audio editor can do some essential tasks much more efficiently than a DAW, and in some cases can do things impossible in a DAW, however high-end that DAW might be. Any studio, even a modest small studio, will benefit considerably from having both a great DAW and a capable audio editor. As with the previous versions, Wavelab requires an eLicenser dongle while Elements requires only a software authorization solution.
Although the previous version of Wavelab had many features needed in a professional operation, Elements was so fully-featured that a small-studio operation would find it completely satisfactory for most activities. Wavelab 9 now has some features that would be seriously useful to the small-studio engineer. The three example metering windows to the right give you an idea of what can be expected.
But there is so much more to talk about with the new navigational and display capabilities, which have been overhauled in total from the ground up in both versions. All of that has been replaced with a ribbon-based organization. In addition, sophisticated window management capabilities, including a flexible docking system, are now present. All of this improvement to the user interface would make the upgrade justifiable by itself, even if no other new features were present.
All the non-power uses should now find the experience of working with this software much more straightforward. Granted, power users will have to relearn the new system and at first may feel a bit disgruntled. But in the end, I predict that most everyone will end up happy campers. For your consideration, below can be seen the ribbon contents for the wave editor the audio montage function likewise has ribbons tailored to the functions there.
All are shown except for the File tab, which occupies a bit more space. Further sophistication comes with the ability to collapse the ribbons and display them only when needed. All in all, this is an extremely well-thought-out implementation. The Steinberg design engineers would be justified to be pleased with themselves. The other UI improvements, docking windows, etc. Master-ful Improvements Another major development is a composite effect suite for mastering work called the Master Rig.
In this case, Elements owners get the capability but only in a scaled-down fashion. Here we have a rig into which a number of mastering-type plug-ins can be inserted, all of which are especially suitable for mastering tasks as opposed to general mixing usage. The image below shows the rig and one of the compressor inserts. The top bar controls what is present in the rig and in what order the signal is treated.
The rest of the panel is dedicated to, in this case, the compressor function. You can see that in this one we have four bands active many of the plug-in options are multi-band, with four bands being the maximum.
You will also note that four compressor types are available: Standard, Tube, Vintage and Maximizer. The differences between them are not so much in-your-face. Those differences are audible but rather more subtle as is only appropriate with mastering treatment. This is true in general of all the components of the Master Rig. All are of excellent quality, just as you would expect, but all can be quite transparent when performing their function.
Yes, you can overdo things with them if you push them too hard. But if transparency is your goal, as would normally be the case in mastering, Master Rig delivers.
In the first mode, we have left and right channels being treated the same. We look next at the Master Rig EQ, seen below. Here we have an eight-band parametric equalizer. A variety of filter types is on tap. The leftmost and rightmost bands can be cut 12, 24 or 48 dB per octave , shelf, peak and notch.
The other filters do not have cut as an option. Elements owners are not left out in this area, but the offerings are considerably more scaled-down. The number of bands maxes out at two rather than four. The parametric EQ has only four, not eight, bands. So, this is still a nice capability to have on hand, but not the luxury model available in Wavelab.
In Elements no such improvements have been forthcoming. Check out the following screen image. For normal operation you have independent tracks for left and right which could be manipulated together or individually. Ever want to fade from stereo to mono? But a few things are worth mentioning. As is typical with Steinberg documentation, the Index is entirely inadequate. But it gets even worse. Steinberg has some work to do to bring the manual up to the level of the software.
Wavelab combines the precision and finesse of a luxury sports car with the heavy-hauling capabilities of a major-sized semi rig. Elements, while not as capable at either the finesse or heavy-hauling extremes, is nevertheless a superb tool. Another wonderful feature, but of benefit only to Cubase and Neundo users, is the new two-way navigation between Cubase and WaveLab or Elements. You can now easily bring up Wavelab or Elements from your Cubase session as your audio editor of choice rather than the much more limited native editor.
Therefore I was unable to personally test this capability. In any case, you can also go the other direction. Suppose you are mastering some audio that was created in Cubase and discover a mix or rendering flaw that needs correcting. Believe it or not, you can now invoke Cubase, loaded and ready to serve to make the correction without the need to exit the audio editor.
Having it restored is most welcome. Wavelab offers the ability to choose one of eight outputs upon which to monitor the audio. Elements has no such feature, but small-studio engineers are likely to be in need of more than occasional switching between monitors and headphones.
So, at least a couple of output choices in Elements would not be too much to ask. But we need even more. A single insert slot on each output in which to place such plug-ins would be extremely beneficial. Importantly, inserts in this position in the signal flow would not be present in rendered audio files.
And why stop with Elements? Such a capability would certainly do no harm in Wavelab as well. I also think that Steinberg should consider unbundling Master Rig and making it available as an optional upgrade for Elements users, Cubase users, or even users of other DAWs to purchase.
If properly priced, it could give Ozone a good run for the money. Is Wavelab or Elements for You? Do you have a small studio and are serious about your work? I believe any DAW owner who also benefits from good audio editing software would agree with this assertion. Pricewise, Elements is definitely a good value, even at full list price. For a more detailed comparison of Wavelab vs.
Elements features, go here: The software can be purchased directly from Steinberg here: It is also available from many other retailers who may have slightly better prices, so do shop around.
Want to add to the discussion?
Wavelab 9 is the latest incarnation of Steinberg’s world-class audio editing masterpiece. SWA Complete Wavelab 9 tutorial: learn how by knowing why. Steinberg have released WaveLab Pro 9, the latest version of their award- winning mastering and editing software and a newer version of. Get quick and easy access to all the relevant WaveLab Elements manual resources on xtfaeg.me
DVD Lernkurs Wavelab 9.5 Praxistutorial
Pro and Elements versions are both updated Shares The audio editing juggernaut that is Steinberg’s WaveLab continues to progress, with version 9 updates for both the Pro and Elements versions now available. With a new look and feel, these add a new bundle of mastering plugins, an SoX-based resampler and a range of workflow enhancements. New for WaveLab 9 is an overhauled single-window interface, which features ribbon tabs and a multi-monitor-friendly window docking system.
Cubase.it: Il sito italiano su Cubase, Audio, MIDI e Home Recording
Wavelab is arguably one of the most powerful and sophisticated audio editing platforms in the world. Wavelab is for all intents and purposes more like five advanced programs flying in tight formation.
HOWTO VIDEO: Review – Wavelab Pro 9 and Wavelab Elements 9 from Steinberg
Practical Tutorial (Download) German video training for Steinberg Wavelab Elements; Basics of operation and user interface; Audio editing with Wavelab. WaveLab Elements is an audio editing and mastering software, perfectly Absolute Beginners WaveLab 9 Guide TUTORiAL-SYNTHiC4TE. Wavelab 9 is the latest incarnation of Steinberg’s world-class audio editing masterpiece. SWA Complete Wavelab 9 tutorial: learn how by knowing why.